White balance you say?

You know what I like about taking photographs with my iPhone? Simplicity.

At its core there are no settings. You select the Camera app…. it selects the focus area (or you can do such if so inclined)…. you press and release the virtual button. And you’re done.

Granted, there seems to be millions of apps by which to edit your image, but the actual act of snapping the photo is brain-dead simple. And this is a good thing as I’m pretty brain-dead a lot of the time. But for every moment the iPhone is just fine for capturing something in a lovely stream of 1’s and 0’s there is a moment when a dSLR (or something relatively equivalent) certainly comes in handy. But the price we pay for shooting with fancier cameras is complexity. And complexity, my dear readers, opens up opportunities for mistakes.

But this isn’t necessarily always a bad or undesirable thing. For example…

West Milton Falls in Fluorescent White Balance

West Milton Falls in Fluorescent White Balance Setting

I snapped the above a few days ago while re-visiting a local waterfall, which is actually part of a city’s drainage system. I had thought I ‘fixed’ all my various settings to the appropriate… uh… settings, when about half way through the shoot I realized the white balance setting was still on Fluorescent (I had been shooting in my kitchen a few days previously).

Sigh.

I quickly made the necessary adjustment to Cloudy and continued shooting knowing I could easily alter the white balance setting in Lightroom as I shoot in Raw. Notice I said I shoot in Raw and not in the Raw, which would be a completely different matter altogether.

When I returned home and popped my pictures onto the computer I finally had the opportunity to see them on the large screen which allows for a better view. I moved along through all the pictures with the incorrect (Fluorescent) setting and then came upon the ‘correct’ ones. And you know what? I was disappointed with them. Yes; they were much more accurate in terms of color, but they seemed to have lost something. And so I tried an experiment.

I created a virtual copy of the above image and set its white balance to Cloudy within Lightroom and obtained this result…

West Milton Falls in Cloudy White Balance

West Milton Falls in Cloudy White Balance

So… is it just me who thinks the image with the much more appropriate white balance setting is less appealing or what?

I confess I prefer the foliage in the corrected version, but the focal point of the image is and should be the waterfall and there I find the incorrect white balance setting to offer a much more pleasing effect. Perhaps more importantly is the fact it was my intention all along to work my final selection of photographs such that any greenery showing would be fairly desaturated as to take away its potentially distracting qualities and help keep the viewer’s focus upon the water.

Once I factor in my additional editing plans I can’t think of a single reason to not use the incorrect white balance setting on all my keepers and let the work speak for itself with those who view them. However, I elected to seek some opinions from others and shared these two images with a handful of friends and family. The consensus? None.

There were those who liked the correct white balance and those who preferred the incorrect one, AND they were evenly split. Good grief. It’s bad enough when I myself have difficult selecting for more impact, but when everyone puts the decision up in the air…. Wow.

So where does this leave me? Well I’m going to work the keepers with the incorrect white balance and edit as previously mentioned. However, I think I will include at least one copy with the same edits, but with the corrected white balance and see what folks on flickr say about the choice. Can’t wait to see where the choices fall.

When life gives you lemons…

Yeah… so… I have this thing about photography wherein I tend to have something in mind which I wish to accomplish. I call it project photography.

Instead of simply picking up my camera and photographing stuff I get an idea into my head, plan it out and then go and do it. I meet with varying degrees of success as is painfully obvious when one views either this blog or my Flickr account. There are those who strongly support the shoot every day mentality, but I can’t get behind that for myself. It’s like those 365-projects you see so often on Flickr. The pictures often seem forced, if that makes any sense and I’m not into forcing myself to snap pictures if I’m not inclined. But I sure do love setting up for a photography outing and so it was I did such last month.

I had been searching for a new model when at a local art festival I ran into a young lady my daughter knows. I had thought about asking her before, but never got around to it, but here she was. And I was. And there you go. Numbers exchanged I began making plans for a project with her. And I had it all planned out… the location, time of day, what I wanted to actually shoot, etc. And so it was the day came and I arrived early to scout the location, which I had been to before, for our photographic get-together.

But there was a problem. Actually… two problems.

First, the incredible graffiti, which covered a lot of the walls around this set of buildings in downtown Dayton, was gone. Painted over. And fairly recently. So much for my cool-as-shit backdrops. Second, my model was late. By over an hour. Not really being a model she wasn’t aware of the great importance of the waning daylight I had intended to make use of. We were off to a poor start. But instead of being dejected (too dejected I mean) I opted to make do with what I had of the remaining daylight and the fact I had brought my single-light kit.

And so it was we tackled my first selected location with the now fading ambient daylight…

Sarah in Doorway I

Sarah in Doorway I

I had noticed this tiny green door surrounded by the red-painted bricks and thought it might make for a nice background. And I think I was right, but I had no small amount of difficulty figuring out how to arrange her within the space. So many of the poses looked tense or even awkward… as if she was just a bit too big for the small doorway, but we continued in hopes of finding some sort of magic.

Sarah in Doorway II

Sarah in Doorway II

While I’m not certain I was actually aware of the thought-process, I eventually came to settle upon two styles which seemed to work better. The pose in the above picture seemed to work well. I mean, if the space is vertically challenged then go horizontal, right? Seems pretty self-evident in hindsight, but at that moment in time I was having issues with seeing this. And the other style which appeared to work better was to get in close and let just a part of the doorway be the backdrop.

Sarah in Doorway III

Sarah in Doorway III

Alas… the sun was setting quickly and at this location we were already shooting in strong shade brought about from the shadow of the building. I was loath to let my model go after such a short period of time… hell… I had been there longer in advance of her than we had been shooting thus far. And so I suggested, if she didn’t mind, we try and make something of the evening with the flash, stand and umbrella I had dragged along.

Sarah being game she helped me get the equipment out of the car and we moved on to another spot I had selected. And here was where things became more complicated as I hadn’t planned to shoot with just the flash and I’m really not adept at it in any way. I mostly use the flash and umbrella for fill-light and the like and not as the sole source of illumination. Add this to the general complications which come from photographing a model when you don’t really do that sort of thing anyway and it’s more-or-less a recipe for disappointment.

Still….

Sarah on Escape Ladder

Sarah on Escape Ladder

I think the above is my fav of the entire evening. It may not be my most favorite pose, or lighting, or framing/composition, but I think it possesses the best overall qualities. Kudos to Sarah for having been so cooperative too as we spent most of the rest of the evening working on the escape ladder, which couldn’t have been particularly comfortable.

The ladder had presented a unique problem in so much that she was up fairly higher than I and my light, while on a 9-foot stand, just wasn’t tall enough to throw light on her in a more or less 90-degree angle to the plane of her face. In other words: I was often throwing light up to her at an angle, which led to some really weird and undesirable results. In the above image she had come down onto the steps and I was able to get the light thrown more directly upon her.

Eventually we wondered off to one last spot in front of a solid brick wall. Just her and I standing there with me trying to find a way to get light on her in a way which might be pleasing. I didn’t want her to be lit face-on as she was in the last image, but nor did I want anything which cast large portions of her face into too much shadow. After a great number of attempts I finally found a pose and positioning on my part which seemed to work.

Sarah at Wall

Sarah at Wall

There are still some things I could do to this image in editing which I think will make it even better (like adding some light to the dark side of her hair), but in general I’m rather pleased. Of course this sort of thing gives me just the excuse I need to dump the file into my recently purchased Adobe Photoshop CS5 and try and make the image more the way I really want it to be.

But boy… CS5 sure is a complicated bit of programming.

Pimpin’s hard work…

I see I have, yet again, been a completely lazy sod of a blogger.

Sigh.

But hey! You get what you pay for, am I right?!

However, let us not equate a lack of blogging entries to mean humble narrator hasn’t been taking pictures. Nothing could be further from the truth my dear readers. To be both frank and honest I’ve been taking more pictures over the past month than has been the norm throughout much of the summer. Unfortunately, one of my more recent photographic projects did not go quite according to plan, but instead followed my usual tried-and-true route of revealing large gaps in both my skills and talents.

And so it was humble narrator become a bit dejected. After a few days of sulking it suddenly occurred to me that my so-called ‘failure’ wasn’t actually a failure at all. Nope. Perish the thought. A ‘learning experience’ it was rebranded and suddenly all was right in the world. Lesson learned: models may be late, especially if they aren’t really models and don’t understand the value of available daylight.

Like I said… lesson learned.

Reinvigorated with my learning experience I opted to take a more casual approach to photographing of late and came back with some pleasant results.

Falls @ West Milton, Ohio

I was actually turned onto this small waterfall by some fellow Flickr friends in my area, but took great advantage of a then recent thunderstorm, which I had anticipated would swell the creek and turn this otherwise quiet fall into something more interesting. I think I was right, I might add with a just a hint of self-satisfaction. I even got a little crazy with the processing in that I dropped the Vibrance pretty heavily in Lightroom so that the green foliage would be more muted, thus making certain the viewer’s attention remained more focused upon the actual water.

Another evening I found myself suddenly struck by the urge to go out and snap some night time pictures, which is something I have rarely done. I had actually wished to grab a particular shot of a sign in the downtown Dayton area of which I had a nice daytime picture. I had hoped the neon lighting would be all lit up and that it would be… well… awesome.

It wasn’t.

The sign wasn’t lit at all. But instead of being dejected and resigned to this fate I elected to drive around the area and look for another opportunity. And could you believe one presented itself?

Firefly Building

This is actually a triptych (duh!) of some of the pictures I took that evening. It was a complete fluke that I came across this building’s entrance way as it’s not quite visible from the main drag. Regardless, I thought it so unusual it merited at least an attempt by me to get something out of it. Long exposures… tripod… not so bad results. Actually, my fav from this particular building is this image…

"NG"

Please do not ask me to explain why I like this one so much, but I do and that’s enough for me.

Now… keeping in mind my aforementioned issue with my lack of talent and skill, I elected to take part in a free class on flower/garden photography offered at one of my local parks. The price was right. The weather reasonable. And I have no problem sitting through a lecture which helps reaffirm what I’m doing right and makes me question what I’m doing wrong.

After the lecture I, along with many in attendance, ventured into the garden and snapped away merrily. I hadn’t really intended for this to become a major deal, but before I knew it almost four hours had passed (including the 1.5 hours of lecture). As I hadn’t gone to the garden with the intention of photographing flowers, insects, etc. I had become very relaxed about the entire event. It wasn’t one of my projects, where there is a built-in need to feel as if I’ve successfully accomplished something, but a simple afternoon of photography. A simple afternoon of trying to incorporate the things the instructor had discussed.

I must say I think I had some pretty nice pictures come from it as well…

I need more days like that one.

It was hot… that’s my excuse…

We all have days… days where we suck.

For whatever reason we just can’t seem to get things right. Sometimes it’s because we are lazy. Or simply don’t care. Sometimes it’s because we don’t have the right tools or knowledge or skill-set. It might even be The Man with his collective boot on our neck.

Whatever the reasons or excuses…. we can… on occasion… suck.

And today I kind of sucked. But only kind of, which isn’t exactly a ringing endorsement of not sucking, but you get the picture.

Hey! I just made a funny. “…get the picture.” Photography-related blog.

Yeah.

(ahem)

As I previously I opted to take part in a photography publishing project this year and I finally finished and submitted my…. uh… submission. One may be forgiven for thinking I’m feeling a real sense of accomplishment, but that’s not quite the case.

More like a feeling of sucking.

But that’s ok. I own it. I admit it. Freely. And it was mostly due to simple laziness. Mostly.

Granted, there was some problems getting the pictures taken. It was, after all, blazingly hot and humid here for the past four weeks, and it all started at exactly the same time I began photographing. And if you haven’t heard this before, please let me inform you: I hate the heat. And trying to snap pictures in a mosquito-infested wood while sweat pours down my face and over my hands and camera… well… yeah. It’s pretty gross.

To be frank I was so disappointed with my images I really thought about pulling out of the project. I mean… look at this…

Izzy Kitty

I never could get the white balance quite right, and there’s foliage in the way, and.. well… just poop. Of course, Izzy is notorious for keeping her distance so shooting through the undergrowth is to be expected, but it just didn’t feel ‘right’.

Then again…

Two Tone

But I think the greater issue was that I had to submit my project as a PDF and while Apple Pages does export as PDFs using Pages doesn’t exactly offer a lot of creative options for the book publishing part of the project. I found my lack of creative options rather irritating, but not so much so that I was willing (or able) to spend the cash for some nice publishing software that would also export as PDF.

BUT… in the end I elected to bite the bullet. Use my good and not-so-good images. Create my very simple (“austere”) book and upload it. There. It’s done. Maybe not quite as I had envisioned, but I know and remember a forkboy who would have simply abandoned it. And you know… that would have sucked more.

And so it sweats…

My last post discusses the beginning salvo of my SoBoFoMo project revolving around the feral and homeless cats I watch over and feed. Since then I have encountered two bits of ‘fun’ I thought I’d share.

Here’s fun number one:

The weather...

Yeah. It says “90” right now (and ‘right now’ is almost 9:30p.m.), but it was 96 at the peak today with a heat index of around 110. You know… I left Florida to escape this sort of thing.

(sigh)

It has been like this all week and will remain like this through tomorrow, as you can see in the above picture. While things will cool-off over the weekend and into the week it’s still scheduled to be warmer than average. Just not stupid-hot. Needless to say working with a dSLR in this heat, with this humidity, in a small wood which only serves to trap the humidity under the leafy canopy (and between the two humidity is far worse than direct sunlight) I’ve been reluctant to shoot pictures.

The cats look and act distressed (lethargic) and I don’t blame them. It’s nasty. I myself looked as if I had just stepped out of the shower as I returned to my car to come back home. And into a real shower.

(heavenly sigh)

So this first week of photography has yielded precisely three-days of photographs when I had planned at least six. Kid you not… the camera actually slipped out of my hand the other day as both it and my hand were so covered in sweat.

Gross… I know!

But I did learn something yesterday while out with the camera and I apologize for not having the pictures to prove it as I’m entering this blog post from a different computer. What I “discovered” is when trying to photograph cats in a small wood with a flash attached to the camera there is a very good chance the flash will highlight… even over-expose… the leaves and branches that lay between the cat and me; the humble photographer.

This does not lead to the sort of results one had hoped for. It also begs the question: does forkboy have the slightest clue what he’s doing?

It’s probably best we don’t answer that…

And so it begins…

Solo Photo Book Month.

31-consecutive days to create a PDF book for upload to the SoFoBoMo site. Said book containing at least 35-newly taken pictures.

Text? If you’d like.

Fancy or plain? Doesn’t matter.

It’s something to do. Something to try. A new way to express myself centered around photography, but creating something more than a finished JPEG for upload to Flickr.

And so it was I began photographing on Thursday.

As these books typically revolve around a theme of some sort I opted to go with one close to my heart: the feral and homeless cats. It’s a shame I cannot use the plethora of pictures I already have, but that isn’t the purpose of the project. Not that I have any objection regarding taking more photographs of the cats, but there is a difference between just snapping pics because I want to versus needing to.

But that doesn’t mean I don’t get some nice shots anyway.

I have already noticed a difference in my temperament regarding shooting as a need: I’m not real patient.

I suppose part of the issue is that I feel I will need to spend more time on the book creation part than the principal photography so there is an impetus to get the photography out of the way, so to speak. However, like most any creative process (and undoubtedly photography is a creative process) there will be great days and not-so-great days. These first two days have provided some good pictures, but not as many as I had hoped for.

Granted, part of the problem is lighting. Specifically: the lack thereof.

As the homeless and feral cats live in a small wood and as this time of the year the wood is in full-leaf there is not a whole lot in the way of light on the forest floor, where the cats reside. Certainly shooting at higher ISO’s is possible, but it’s not exactly what I had in mind for quality photos for this project. Still.. not all has been lost.

It occurred to me I should submit the idea to SoFoBoMo for having these projects sprinkled through at least three portions of the year. This way those who elect to participate are not trapped into one season and one season only, such as we are currently. For my purposes mid- to late-Autumn would be a far more ideal time as sunlight reaches the forest floor quite readily with the disappearance of the leaves. There is also the problem of it being particularly warm to hot at this time of the year meaning we photographers who elect to work outside find ourselves sweating for our work.

Blech. (oh… and not to mention the issue with mosquitos, which are a major issue at this time of the year)

So I snapped almost 200-pictures in two days and of that I felt maybe 5 were real keepers for the project. Granted…I kept more than that: 63. But I kept those additional 58 only because I may find myself in need of them to make this project work as principal photography time winds down and book creation gears up.

However, while I was becoming rather frustrated with the natural light situation in the wood, it occurred to me that I could try to rectify the situation by introducing some of my own lighting. While this may require fiddling about and experimenting a bit, and thus costing me valuable shooting time, it may be a solution to my lighting problem.

Bringing my own lighting could help immensely in getting the shots I both want and need for the project. Sure… things aren’t so bad without the addition of lighting…

But instead of shooting a bunch of pictures and having to dump 95% of them simply because there is blur (thanks to camera shake and/or moving subject), I could salvage a lot of those shots and then find myself in the enviable position of having to select the best composed and framed instead. Not such a bad deal after all.

Of course it does mean making some decisions about what is both useful and practical in regard to bringing in some lighting. I could go with the most basic and simple solution: on-camera flash. Let the camera make all the decisions and hope for the best. Or I could shoot as I typically do (aperture-priority) and shoot the flash manually, just adding fill. Or so I hope.

Or I could take it a step further and bring my portable light kit with me and drag around a light stand, umbrella and electronics in hopes of getting the most effective use of my flash. While this route sounds very appetizing for what it could bring to the picture quality it also has the horrible down-side of meaning dragging a bunch of equipment through a wood rife with shrubs, trees, thorny-things, etc.

I confess it sounds like more work than it may be worth.

I suppose the solution is to try the on-camera options and see what results I can obtain. Ultimately I want great photos, but I must temper this desire with expediency as well.

Such is the life of a photographer, eh?

Not according to plan…

It was supposed to be a perfect day. The weather, while warmer than I like, was very nice. A good breeze. Reasonable humidity. Plenty of sunshine and enough puffy, white clouds to make it an attractive sky.

You know… a good day.

And when nature hands you a good day you should take advantage of it with your camera and so it was I made some plans. A quick trip south of Dayton to collect a ring I was having re-sized and then a short journey to Cox Arboretum to take full advantage of the very recently opened Butterfly House!

As they say… the best laid plans…

Jeweler was closed for the week. On vacation. I didn’t know about it and I had been saving my trip to the store for post-butterfly house opening seeing how both the store and Cox Arboretum are not exactly around the corner from my house.

“Oh well,” I thought. “The butterflies will more than make up for this,” was the thinking which cheered me up. Except the butterflies were not in attendance at the butterfly house.

Nope.

Maybe four or five small monarchs.

(sigh)

I think this happened to me two years ago. Early July, regardless of the fact the butterfly house is open, is too early for the butterflies. I need to give it until the end of the month before things really start to pick up. (make mental note about such so we don’t have to write about this problem again next year)

Well… adopting the make lemonade mantra when life hands you lemons, I moved on to the various ponds at Cox Arboretum thinking I may grab some shots of the dragonflies. I do love dragonflies. But again it is just a bit too early in the season for them.

Oh… they were out and about. Buzzing to and fro as dragonflies are wont to do. But they were not out in the numbers I have seen deeper into summer. Nor were they very big; most being rather tiny.

Drat. No. Double drat!

But so what. I spent a nice afternoon outside for a few hours and I may have snagged a few decent dragonfly pictures (I haven’t yet checked). It’s still nice to be out and about with the gear doing what I enjoy most about photography: being behind the camera.

And not unlike my last post, seeing how this is a blog dedicated to photography, how about a snap real quick? I’m glad you agree…

Tulip

I didn’t snap many flower pictures this Spring, but when I saw my neighbor’s tulips just past their peak, relaxing in a smattering of dappled sunlight I just couldn’t help myself. Tripod and 70-200mm lens in hand I ventured across the street and threw myself into it. There are two things I really like about this picture: (1) the symmetry of the flower, and (2) the brilliant yellow in the base of the petals.

Like sunshine made flower.