Solo Photo Book Month.
31-consecutive days to create a PDF book for upload to the SoFoBoMo site. Said book containing at least 35-newly taken pictures.
Text? If you’d like.
Fancy or plain? Doesn’t matter.
It’s something to do. Something to try. A new way to express myself centered around photography, but creating something more than a finished JPEG for upload to Flickr.
And so it was I began photographing on Thursday.
As these books typically revolve around a theme of some sort I opted to go with one close to my heart: the feral and homeless cats. It’s a shame I cannot use the plethora of pictures I already have, but that isn’t the purpose of the project. Not that I have any objection regarding taking more photographs of the cats, but there is a difference between just snapping pics because I want to versus needing to.
But that doesn’t mean I don’t get some nice shots anyway.
I have already noticed a difference in my temperament regarding shooting as a need: I’m not real patient.
I suppose part of the issue is that I feel I will need to spend more time on the book creation part than the principal photography so there is an impetus to get the photography out of the way, so to speak. However, like most any creative process (and undoubtedly photography is a creative process) there will be great days and not-so-great days. These first two days have provided some good pictures, but not as many as I had hoped for.
Granted, part of the problem is lighting. Specifically: the lack thereof.
As the homeless and feral cats live in a small wood and as this time of the year the wood is in full-leaf there is not a whole lot in the way of light on the forest floor, where the cats reside. Certainly shooting at higher ISO’s is possible, but it’s not exactly what I had in mind for quality photos for this project. Still.. not all has been lost.
It occurred to me I should submit the idea to SoFoBoMo for having these projects sprinkled through at least three portions of the year. This way those who elect to participate are not trapped into one season and one season only, such as we are currently. For my purposes mid- to late-Autumn would be a far more ideal time as sunlight reaches the forest floor quite readily with the disappearance of the leaves. There is also the problem of it being particularly warm to hot at this time of the year meaning we photographers who elect to work outside find ourselves sweating for our work.
Blech. (oh… and not to mention the issue with mosquitos, which are a major issue at this time of the year)
So I snapped almost 200-pictures in two days and of that I felt maybe 5 were real keepers for the project. Granted…I kept more than that: 63. But I kept those additional 58 only because I may find myself in need of them to make this project work as principal photography time winds down and book creation gears up.
However, while I was becoming rather frustrated with the natural light situation in the wood, it occurred to me that I could try to rectify the situation by introducing some of my own lighting. While this may require fiddling about and experimenting a bit, and thus costing me valuable shooting time, it may be a solution to my lighting problem.
Bringing my own lighting could help immensely in getting the shots I both want and need for the project. Sure… things aren’t so bad without the addition of lighting…
But instead of shooting a bunch of pictures and having to dump 95% of them simply because there is blur (thanks to camera shake and/or moving subject), I could salvage a lot of those shots and then find myself in the enviable position of having to select the best composed and framed instead. Not such a bad deal after all.
Of course it does mean making some decisions about what is both useful and practical in regard to bringing in some lighting. I could go with the most basic and simple solution: on-camera flash. Let the camera make all the decisions and hope for the best. Or I could shoot as I typically do (aperture-priority) and shoot the flash manually, just adding fill. Or so I hope.
Or I could take it a step further and bring my portable light kit with me and drag around a light stand, umbrella and electronics in hopes of getting the most effective use of my flash. While this route sounds very appetizing for what it could bring to the picture quality it also has the horrible down-side of meaning dragging a bunch of equipment through a wood rife with shrubs, trees, thorny-things, etc.
I confess it sounds like more work than it may be worth.
I suppose the solution is to try the on-camera options and see what results I can obtain. Ultimately I want great photos, but I must temper this desire with expediency as well.
Such is the life of a photographer, eh?