Yeah… so… I have this thing about photography wherein I tend to have something in mind which I wish to accomplish. I call it project photography.
Instead of simply picking up my camera and photographing stuff I get an idea into my head, plan it out and then go and do it. I meet with varying degrees of success as is painfully obvious when one views either this blog or my Flickr account. There are those who strongly support the shoot every day mentality, but I can’t get behind that for myself. It’s like those 365-projects you see so often on Flickr. The pictures often seem forced, if that makes any sense and I’m not into forcing myself to snap pictures if I’m not inclined. But I sure do love setting up for a photography outing and so it was I did such last month.
I had been searching for a new model when at a local art festival I ran into a young lady my daughter knows. I had thought about asking her before, but never got around to it, but here she was. And I was. And there you go. Numbers exchanged I began making plans for a project with her. And I had it all planned out… the location, time of day, what I wanted to actually shoot, etc. And so it was the day came and I arrived early to scout the location, which I had been to before, for our photographic get-together.
But there was a problem. Actually… two problems.
First, the incredible graffiti, which covered a lot of the walls around this set of buildings in downtown Dayton, was gone. Painted over. And fairly recently. So much for my cool-as-shit backdrops. Second, my model was late. By over an hour. Not really being a model she wasn’t aware of the great importance of the waning daylight I had intended to make use of. We were off to a poor start. But instead of being dejected (too dejected I mean) I opted to make do with what I had of the remaining daylight and the fact I had brought my single-light kit.
And so it was we tackled my first selected location with the now fading ambient daylight…
Sarah in Doorway I
I had noticed this tiny green door surrounded by the red-painted bricks and thought it might make for a nice background. And I think I was right, but I had no small amount of difficulty figuring out how to arrange her within the space. So many of the poses looked tense or even awkward… as if she was just a bit too big for the small doorway, but we continued in hopes of finding some sort of magic.
Sarah in Doorway II
While I’m not certain I was actually aware of the thought-process, I eventually came to settle upon two styles which seemed to work better. The pose in the above picture seemed to work well. I mean, if the space is vertically challenged then go horizontal, right? Seems pretty self-evident in hindsight, but at that moment in time I was having issues with seeing this. And the other style which appeared to work better was to get in close and let just a part of the doorway be the backdrop.
Sarah in Doorway III
Alas… the sun was setting quickly and at this location we were already shooting in strong shade brought about from the shadow of the building. I was loath to let my model go after such a short period of time… hell… I had been there longer in advance of her than we had been shooting thus far. And so I suggested, if she didn’t mind, we try and make something of the evening with the flash, stand and umbrella I had dragged along.
Sarah being game she helped me get the equipment out of the car and we moved on to another spot I had selected. And here was where things became more complicated as I hadn’t planned to shoot with just the flash and I’m really not adept at it in any way. I mostly use the flash and umbrella for fill-light and the like and not as the sole source of illumination. Add this to the general complications which come from photographing a model when you don’t really do that sort of thing anyway and it’s more-or-less a recipe for disappointment.
Sarah on Escape Ladder
I think the above is my fav of the entire evening. It may not be my most favorite pose, or lighting, or framing/composition, but I think it possesses the best overall qualities. Kudos to Sarah for having been so cooperative too as we spent most of the rest of the evening working on the escape ladder, which couldn’t have been particularly comfortable.
The ladder had presented a unique problem in so much that she was up fairly higher than I and my light, while on a 9-foot stand, just wasn’t tall enough to throw light on her in a more or less 90-degree angle to the plane of her face. In other words: I was often throwing light up to her at an angle, which led to some really weird and undesirable results. In the above image she had come down onto the steps and I was able to get the light thrown more directly upon her.
Eventually we wondered off to one last spot in front of a solid brick wall. Just her and I standing there with me trying to find a way to get light on her in a way which might be pleasing. I didn’t want her to be lit face-on as she was in the last image, but nor did I want anything which cast large portions of her face into too much shadow. After a great number of attempts I finally found a pose and positioning on my part which seemed to work.
Sarah at Wall
There are still some things I could do to this image in editing which I think will make it even better (like adding some light to the dark side of her hair), but in general I’m rather pleased. Of course this sort of thing gives me just the excuse I need to dump the file into my recently purchased Adobe Photoshop CS5 and try and make the image more the way I really want it to be.
But boy… CS5 sure is a complicated bit of programming.